A cook interview is short on talk and long on proof. Most chefs decide in the first few minutes whether you've actually worked a line, then use the stage shift to confirm it. Here's what they ask, what they're listening for, and how to answer like someone who's closed a kitchen on a busy night.
| The question | What they want to know | Your angle |
|---|---|---|
| Walk me through the stations you've worked and which one you're strongest on. | The chef is sorting you into a spot on their line. Saying you can do everything tells them nothing. Naming grill, sauté, fry or garde manger and describing it tells them where you'd start. | Name each station you've actually run, not ones you've stood next to |
| How do you set up your station before service? | Mise en place is the whole job. A cook who can describe their setup step by step usually doesn't go down in the weeds by the second turn. | Read the prep list and check the par sheet against what's in your lowboy |
| Tell me about the worst night you've had on the line. What happened and what did you do? | Every cook has been buried. The chef wants to know if you stay calm, communicate and recover, or if you go quiet and let tickets pile up. | Set the scene briefly: a big party walked in, the fryer went down, someone called out |
| What temperatures do you hold hot food and cold food at, and how do you cool a big batch of stock? | Food safety mistakes shut restaurants down. They need to know you know the danger zone and the cooling rules without looking them up. | State the hot and cold holding temperatures your local health code uses |
| Do you have a food handler card or a manager food safety certificate? | Many areas require a food handler card for anyone who touches food, and some kitchens want a certified food protection manager on every shift. Rules differ by state and county. | Say which card you hold, such as a ServSafe food handler or ServSafe Manager certificate |
| A server brings back a steak saying it's overcooked. The ticket says medium rare and you're sure you cooked it right. What do you do? | This tests ego. The guest is getting a new steak either way. The chef wants to see you fire it fast without starting an argument at the pass. | Refire it immediately and tell expo the time |
| How do you handle allergy tickets? | An allergy mistake can put a guest in the hospital. They want a cook with a routine, not someone who wipes a knife and hopes. | Read the ticket twice and confirm with expo or the server if anything is unclear |
| How fast are you with a knife? Show me how you'd dice an onion. | Knife skills show up on the stage anyway, so some chefs ask up front. They're looking for a safe claw grip, a sharp knife and consistent cuts more than raw speed. | Talk through the cut while you do it: halve through the root, horizontal cuts, then vertical, then across |
"I can do any station." Chefs hear this from people who've mostly worked prep and haven't held a station on a full night.
Name each station you've actually run, not ones you've stood next to. Pick your strongest and say why, for example you like the timing on sauté with a few pans going at once. Mention the menu style, such as scratch kitchen, high-volume brunch or banquet. Say which station you'd like to learn next.
Vague talk about "getting ready" with no mention of pars, backups or tasting.
Read the prep list and check the par sheet against what's in your lowboy. Set your pans, towels, sanitizer bucket, tasting spoons and backups within reach. Taste sauces and check seasoning before the first ticket. Label and date everything, and pull backups from the walk-in before the rush.
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