A copywriter interview is mostly a conversation about your book and a test of how you think out loud. They've already seen that you can write a sentence. What they're checking now is whether you can take a messy brief, find the idea, defend it in a room and rewrite it without sulking when someone senior kills it.
| The question | What they want to know | Your angle |
|---|---|---|
| Walk me through the piece in your portfolio you're proudest of. | This is the real interview. They want to hear how you got from a brief to a line, not just see the line. | Start with the problem the brand had, in a sentence |
| Here's a brief. Talk me through how you'd start. | They want to see your process before you write a word, and whether you question a brief or just obey it. | Find the single thing the reader should take away and say it plainly |
| How do you write in a brand voice that isn't yours? | Most copywriting jobs mean sounding like a company, sometimes several companies in one week. They need to know you can switch. | Read the voice guidelines, then read what the brand has actually shipped, which often differs |
| Tell me about a time a stakeholder rewrote your copy into something worse. | This happens all the time. They want to know whether you fight, fold or find a third option. | Describe the note and what the stakeholder was really worried about |
| How do you know if your copy worked? | They're checking whether you care about results or only about how the work reads in a portfolio. | Name the signals for each format: click-through on an email, sign-ups on a landing page, recall or share for a brand spot |
| Write me a few headlines for our product, right now. | A live exercise shows speed, range and whether you've done your homework on their brand. | Ask one quick question about the audience or the goal before you start |
| How do you work with an art director or designer? | Concepting is usually done in pairs. A writer who only hands over text is harder to work with. | Describe jamming on ideas together before either of you polishes anything |
| How do you use AI writing tools in your work? | Teams want to know whether you'll speed up with them or hand in generic drafts that need rewriting. | Be honest about what you use them for, such as a pile of variants or a rough first pass |
Reading the copy aloud and saying you love the wordplay, with nothing about the audience or the result.
Start with the problem the brand had, in a sentence. Name the reader and what they believed before they saw the work. Explain the idea, then show how it stretched across formats. Mention a line that got killed and why the final one was better. Close with what happened after it ran, even if it's a soft result like the client extending the campaign.
Saying you wait for inspiration or start by opening a blank doc and writing the body copy.
Find the single thing the reader should take away and say it plainly. Ask what the reader is worried about or putting off. Check the proof: what can the product actually claim. Write a lot of rough headlines fast, then cut hard. Flag anything in the brief that contradicts itself before you start drafting.
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